e-book Baroque horrors : roots of the fantastic in the age of curiosities

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How do you see the public humanities — both the Festival but also generally — serving society?

DC: In the current social environment dominated by attention merchants who trade in misinformation and divisiveness, the humanities and the arts have a crucial role to play in helping our communities explore knowledge-based paths of collective awareness and restorative action. After all, democracy is unsustainable even unthinkable in the absence of an informed, self-aware, and critical citizenship. No wonder dystopian fantasies are omnipresent these days. Her MaddAddam trilogy has achieved best-selling status as well. It is no accident that in these dystopian worlds, the beginning of the end is signaled by the decline of the humanities under the weight of an all-pervasive market society in a world ravaged by environmental devastation.

Is it in a society that strives to right ancient wrongs, to search for balance and equality, and to respect truth and fairness, or do we want to live in some other place in some other way? It will be up to you to decide that, to question values, to explore the nature of truth and fairness. It will be up to you to understand the stories and to create better ones. Ibram X. Kendi and Chenjerai Kumanyika are inspirational interlocutors. As with the classic academic humanities, investigative journalism is also under pressure in the age of media silos and hour punditry.

This panel discussion will encourage reflection and conversation on the role of the traditional investigative press, especially the local press, in healthy democratic communities.


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A series of parallel talks and panels will follow throughout the day, offering attendees a variety of paths to reflect on and discuss democracy through historical, political, artistic and legal explorations. How will the Festival evolve over the next few years? In the process, we hope to continue to spark meaningful and sustainable conversations and collaborations across the humanities and social sciences but also the so-called hard sciences, as well as local activists, artists, and entrepreneurs.

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David R. Jacket art: Frederick Ruysch's anatomical diorama.

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Roots of the Fantastic in the Age of Curiosities

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John Fian: The Scottish Sorcerer (Occult History Explained)

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Baroque Horrors Roots of the Fantastic in the Age of Curiosities

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