Guide Joan Blondell: A Life between Takes (Hollywood Legends)

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Editorial Reviews. Review. "Terrific Joan Blondell: A Life between Takes [is] one of the best Joan Blondell: A Life between Takes (Hollywood Legends Series) Kindle Edition. by.
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I felt guilt and anger. I was afraid that I would not be able to stand on my own two feet. The loneliness made me feel empty. Then I had an awful guilt. I had always complained that Richard worked too hard, that he had no time for me. I gave him a bad time about this. When he left, I realized that he was working for our future and he wasn't there for me to say, I'm sorry. God should have taken me. He should have left Richard, who had so much more to give. This prompted Allyson to start drinking heavily.

In she was going to elope with Powell's barber, Glenn Maxwell, but decided against it. She also went through a bitter court battle with her mother over custody of the children she had with Powell. However, Summers refused to marry her and the relationship did not last. During this time, Allyson struggled with alcoholism , which she overcame in the mids. In , Allyson married David Ashrow, a dentist turned actor.


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The couple occasionally performed together in regional theater, and in the late s and early s, toured the United States with the stage play My Daughter, Your Son. They also appeared on celebrity cruise ship tours on the Royal Viking Sky , in a program that highlighted Allyson's movie career. After Dick Powell's death, Allyson committed herself to charitable work on his behalf, championing the importance of research in urological and gynecological diseases in seniors, and represented the Kimberly-Clark Corporation in commercials for adult incontinence products.

Following a lifelong interest in health and medical research Allyson had initially wanted to use her acting career to fund her own training as a doctor , [22] she was instrumental in establishing the June Allyson Foundation for Public Awareness and Medical Research. Allyson also financially supported her brother, Dr. Arthur Peters, through his medical training, and he went on to specialize in otolaryngology. Allyson was a staunch Republican and strong supporter of Richard Nixon.

Powell's wealth made it possible for Allyson effectively to retire from show business after his death, making only occasional appearances on talk and variety shows. Allyson returned to the Broadway stage in in the play Forty Carats [17] and later toured in a production of No, No, Nanette. Her autobiography, June Allyson by June Allyson , received generally complimentary reviews due to its insider look at Hollywood in one of its golden ages.

Allyson and her later husband, David Ashrow, actively supported fund-raising efforts for both the James Stewart and Judy Garland museums; both Stewart and Garland had been close friends. In , actor-turned-agent Marty Ingels publicly charged Allyson with not paying his large commission on the earlier deal on incontinence product advertising. Allyson denied owing any money, and Ashrow and she filed a lawsuit for slander and emotional distress , charging that Ingels was harassing and threatening them, stating Ingels made phone calls during a single eight-hour period.

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Earlier that year, Ingels had pleaded no contest to making annoying phone calls. Although her heritage, like much of her personal story, was subject to different interpretations, Allyson always claimed to be proud of a Dutch ancestry. Allyson made a special appearance in in That's Entertainment III , as one of the film's narrators. She spoke about MGM's golden era and introduced vintage film clips. Stewart Museum Foundation, in recognition of her positive contributions to the world of entertainment. As the first celebrity to undertake the role of public spokesperson for promoting the use of the Depend undergarment, Allyson did "more than any other public figure to encourage and persuade people with incontinence to lead fuller and more active lives".

Following hip-replacement surgery in , Allyson's health began to deteriorate.

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With her husband at her side, she died July 8, , aged 88 at her home in Ojai , California. Her death was a result of pulmonary respiratory failure and acute bronchitis. June Allyson, , Interview [8]. From Wikipedia, the free encyclopedia. June Allyson. The Bronx , New York, U. Ojai, California , U. Dick Powell m. Alfred Glenn Maxwell m. David Ashrow m. I couldn't dance, and, Lord knows, I couldn't sing, but I got by somehow. Richard Rodgers was always keeping them from firing me. Biography portal New York City portal California portal.

MGM was partly to blame as the studio PR machine created a "goody two-shoes" image of a young ingenue, which required some imaginative tailoring of her age, family circumstances, and her famous "tree limb" story. On the Larry King interview, her recollection was that Broadway producer George Abbott had given her the name, while other sources have her first stage choreographer calling her that in exasperation, as he could not be bothered to remember her real one; at least that was the tale in her book.

Probably, it made sense to her, as she liked "Allison", her brother's name, and simply tacked "June" onto it, and was reportedly using it before her Broadway debut. Kimberly-Clark Corporation. July 11, Retrieved May 12, CBC Radio One. Pirate Radio. Retrieved 10 June Telegraph - Herald 11 July A. Retrieved: September 10, Retrieved: March 14, The Globe and Mail 11 July S.

The Guardian 12 July June Allyson by June Allyson. New York: G.

Joan Blondell: A Life between Takes

Putnam's Sons, Los Angeles Times 7 Nov D1. The Dick Cavett Show. Los Angeles Times 21 Aug A3. CBS News. Associated Press. Retrieved 25 December Boston Globe 20 June 1. XCV, Issue , November 4, , p. Retrieved: October 17, Retrieved February 3, Deseret News. Archived from the original on Retrieved September 10, Hollywood Chamber of Commerce. February 8, Retrieved May 8, The Decatur Daily Review.

Retrieved May 28, — via Newspapers. Retrieved June 27, — via Newspapers. Allyson, June. New York: Da Capo Press, Basinger, Jeanine. The Star Machine. New York: Knopf, Becker, Christine. Indianapolis, Indiana: Wesleyan, Davis, Ronald L. Jackson, Mississippi: University Press of Mississippi, Eyman, Scott. Fordin, Hugh. M-G-M's Greatest Musicals.

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Hirschhorn, Clive. The Hollywood Musical. London: Pyramid Books, , first edition Kennedy, Matthew. Milner, Jay Dunston.

Here's to Joan Blondell!

Mormon, Robert. Demises of the Distinguished. Bloomington, IN: AuthorHouse, Parish, James Robert and Michael R. London: Routledge, Wayne, Jane Ellen.


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  • Description de l'ouvrage : This book about an actress with a long and lustrous career Provides the first major biography of this enduring Hollywood star Offers extensive research and insights gained from the cooperation of Blondell's friends, family, and colleagues Includes over 25 photographs Expands the Hollywood Legends Series.

    Description de l'ouvrage : Joan Blondell: A Life between Takes is the first major biography of the effervescent, scene-stealing actress who conquered motion pictures, vaudeville, Broadway, summer stock, television, and radio. Born the child of itinerant vaudevillians, she was on stage by age three. With her casual sex appeal, distinctive cello voice, megawatt smile, luminous saucer eyes, and flawless timing, she came into widespread fame in Warner Bros.

    By the time of her death, she had made nearly films in a career that spanned over fifty years. Privately, she was unerringly loving and generous, while her life was touched by financial, medical, and emotional upheavals.

    Meticulously researched, expertly weaving the public and private, and featuring numerous interviews with family, friends, and colleagues, Joan Blondell: A Life Between Takes traces the changing face of Twentieth Century American entertainment through the career of this extraordinary actress. Revue de Presse : "Terrific. Joan Blondell: A Life between Takes [is] one of the best actor bios ever.

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    Kennedy fully achieves the challenging task of making the reader feel as if we know the subject personally. It is a loving and inspiring tribute to a wonderful person and performer. Kennedy is a genuinely good writer who knows the language as well as he does vintage Hollywood movies. This book gets my highest recommendation. Kennedy takes us through Joan's life like a tour guide. His approach is highly effective, in that he skillfully paves the way for surprises but never sways toward a mechanical commentary.

    The true sign of a good book is one that appeals to all audiences. There are a great number of fascinating twists between this page biography, which could never be done justice in a regular review.